Is the road to a successful writing career really paved with six tweets a day?

I’m an author.

But I’m also a single person who owns her home and works a demanding full-time job that has nothing to do with writing fiction.

All effort I put toward writing and the activities associated with it has to be done in my “spare” time. Those would be the hours that are not devoted to commuting to work, working the day job, house cleaning, cooking meals and eating them, exercising, paying bills and other financial activities, grocery shopping and keeping appointments of all kinds, and having to drive to those places, plus dealing with household disasters, illness and whatever else makes up a life. I haven’t mentioned socializing, because there’s precious little of that. The same goes for sleep.

A rough estimate of “spare” hours remaining after subtracting time for those aforementioned activities a little over 30 hours per week — even though I have no pets, nor a spouse, nor kids.

In the days of yore, before the internet, email and social media, I had enough time to turn out a decent-sized chapter in a weekend.

That is how I was able to write two novels.

Since I was a teenager, I’ve dreamed of being a published author. Now I am. I published a novel (Rings of Passage) in August 2013, and have another novel (Dangerous Reflections) scheduled for publication on Jan. 27, 2015.

But I can’t live on the income from writing — not by a long shot. There’s only one paycheck coming into my house that’s paying the mortgage and buying groceries, and that’s from my day job.

And I can’t sit down and write one chapter per weekend. Not anymore.

These days, I have to tend to social media by tweeting, posting, blogging, maintaining my website, soliciting for reviews, sending out emails, maintaining contact with my publicist, book designer and editor, and “engaging my public.” That’s on top of doing all the formatting of my print and ebooks, creating business cards and bookmarks, and a thousand other things that have very little to do with craft, plot or doing the research necessary to write a novel.

Of the 30 hours of “spare” time left to me, most of it ends up as electronic blood, sweat and fear burning down the information superhighway at the speed of hype, which I know will just as quickly become forgotten by the intended audience. When my next spare hour rolls around in the schedule, I’m expected to produce the next round.

Admittedly, I am not all that good at promotion. Like many authors, I’m introverted, and “selling” myself does not feel comfortable. On top of that, there is just not enough time to do it all, or do it well, no matter how hard I try.

Some nights, I fall into bed exhausted from all the trying, knowing that in six hours I have to get up and go to the job that puts bread on the table.

And yet, according to the experts out there, my books will never find an audience unless I put at least two, three or six times more effort into these promotional activities. I must build relationships with fans, make three engaging posts per day to Facebook, tweet at least six times a day hitting all time zones, build circles on Google+, and post reviews to Goodreads and Amazon of other authors’ books in the hopes that they will review mine.

So far, I’ve barely scratched the surface of what must be done, and evidently has been done by successful authors who don’t have the constraints that I do, and loads of time to offer advice.

I can’t believe I am the only author trying to climb this Mt. Everest of expectations while holding down a full-time job and maintaining a house, with a deficit of energy, time or even a rope, to pull me up the mountain.

I’m chasing my dream as best I can. I’m not whining. But I’m also not writing. I’m not enjoying that flow I was once able to achieve when I sat at the computer with a blank slate of weekend hours before me, waiting to be filled with mystery, romance and the love of what I was doing.

I wonder, will writing ever be fun again? I miss that.

Author Cara Bristol discusses the writing life and her new erotic sci-fi romance, “Breeder”

Cara Bristol was one of my earliest writing colleagues. We were eager and fresh-faced journalism grads from different colleges. We ended up at the same suburban newspaper, writing for the society section (typically called the “soc page” in newspaper jargon). We wrote wedding copy and covered women’s clubs, but both of us had bigger dreams. Funnily enough, at that time, none of them had to do with writing novels. And now we’re both doing it.

Cara featured me on her blog the day my novel “Rings of Passage” came out in August, and now I’m interviewing her on mine. What goes around, comes around – and now we have come full circle. Upon the Oct. 15 release of Cara Bristol’s first erotic science fiction novel ,”Breeder,” I asked about her life as a writer, how the creative process manifests when she writes, and some challenges she must face juggling real life commitments and her art.

(see interview below)
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"Breeder"

Read an excerpt below

“Breeder links:
Amazon:
http://www.amazon.com/Breeder-Cara-Bristol-ebook/dp/B00FX7L5FO/
All Romance eBooks (ARe)
https://www.allromanceebooks.com/product-breeder-1318747-340.html
Loose ID
http://www.loose-id.com/breeder.html
Author’s website
http://carabristol.com/
Twitter  @CaraBristol
https://twitter.com/CaraBristol
Facebook
https://www.facebook.com/cara.bristol.3
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Cara Bristol interview

Karla: At what point did you know you wanted to be a writer? Was there an event, or a comment someone made to you? Or perhaps an experience that made you think, “Hey, I’d like to write.”

Cara: I’ve always enjoyed writing. The students in high school would complain about having to write term papers, but I secretly enjoyed the assignments. When it came time to choose a college major, I chose journalism because it involved writing. I liked journalism. I love writing fiction.

Karla: What were your earliest written works? (Poems, short stories, songs, essays, novels)

Cara Bristol BiographyCara: Well, the “earliest” is a 30-page mystery I wrote in the fifth grade. Professionally? As a journalism and public relations director, I’ve written numerous newspaper articles, brochures, annual reports, newsletters, press releases. I wrote (and published) my first erotic romance in 2009. I now have 12 erotic romance titles published. Most of them have been released in the last two years.

Karla: What made you to decide to write a novel, in particular?

Cara: I enjoy the freedom and creation of writing fiction. My preferred format is the novella, but I let the work decide the length. I’ve written short stories, novellas and novels.

Karla: Do you have a very early work that you would like to reinvent or get into shape to share with the world? What is it?

Cara: The work I would redo has been published. If I could, I would rewrite Unexpected Consequences, the first book in the Rod and Cane Society domestic discipline erotic romance series. I would make the heroine less naïve—although I really enjoyed that aspect of her personality when I originally wrote it.

Karla: What is the MOST important to you? Plot? Character? Setting?

Cara: Character. But, of course, all three are important because they are so interwoven. Character drives plot, plot creates character and setting affects then both. But I write romance because I find relationship dynamics fascinating. Put the right (clashing) two characters together and the story practically writes itself. For example, in Body Politics. I sent a diehard feminist on a blind date with a Dom who likes to spanks his women. In Breeder, an Alpha Commander falls in love with slave he is forbidden by law to want. Can you see the conflict?

Karla: Do you write genre fiction or literary fiction? Do you think there is a clear delineation between the two styles? And if so, what is that?

Cara: I write genre fiction (romance), in several subgenres: erotic, paranormal, domestic discipline and science fiction. I see literary fiction and genre fiction at two opposite ends of the continuum. One is black, one is white. But in between, it grays and becomes hard to tell them apart. But my fiction is definitely on the genre side.

Karla: How scheduled are you when writing? (9 to 5, when you have an assignment, when the inspiration strikes).

Cara: I am very scheduled about my writing. I work (write and promote) seven days a week. I am usually at the computer by 5:30 a.m. That said, I rely a lot on inspiration. Even when I’m not at my computer, I’m usually thinking about my writing.

Karla: Where do you write? Is there certain music you have playing in the background? A favorite room, desk or chair? Are you like J.K. Rowling, and write in a coffee shop?

Cara: I have a lovely, dedicated home office that is mine, mine, mine. (I used to share an office with my husband). I do not write to music, I find it distracting.

Karla: Are the stories that you write different from those that you read? For instance, romance versus humor.

Cara: No. My time is so limited that I read strategically. First priority is my genres. Second priority is authors I know. Third is everything else.

Karla: Is writing your job or your hobby? If it is a hobby that has turned into a job, are there drawbacks to this?

Cara: Writing is my job. What no one realizes until they get into it is how consuming a writing career becomes. It’s insidious! When I worked in corporate PR, I didn’t work seven days a week, nor did I bring work home. Now I write at home and writing and home life bleed together. Writing/editing occupies about 50 percent of my work time, promotion the other 50 percent.

Karla: Is one successful novel enough, or do you see yourself as a “career” writer?

Cara: If you were only in it for the money, and you hit it out of the ballpark like JK Rowling or EL James have and earned gazillions, perhaps one novel would be enough. But those authors not even good examples because they both wrote series. You can never rest on your laurels because for 99 percent of authors, eventually the sales from any one book drop. And even if I hit megastatus, I would probably continue to write because I love it so much. I am driven to write. If I hit it big, I might not write as much, but I would still write.

Karla: Are you a tortured artist? Is writing therapeutic, cathartic or simply fun?

Cara: Fun. I’m not the least bit tortured.

Karla: Is your creative process something you sweat over? Or is it something you trust to “kick in” as soon as you get started.

Cara: I had one book that I sweated over and if that’s what writing was like for me all or most of the item, I wouldn’t be a writer. I have learned to trust that inspiration will come.

Karla: If you have a troublesome plot issue, how do you solve it? Is there a method or a meditation you turn to solve the problem?

Cara: Often I find that switching POV helps. Other times, it helps to think about the problem when I am in “nonwriting” mode, i.e. away from my desk such as taking a shower or walking. I get a lot of ideas around 3 a.m. too.

Karla: What advice would you give to new authors who are trying to find their voice and their stride?

Cara: Stop trying to find your voice and tell your story.

Karla: How do you blend other parts of your life (family, day job, etc.) with writing? What challenges arise?

Cara: I don’t have another day job, so that’s not an issue, but blending writing with family and other commitments is an issue. I’m still working on that. I know some authors who have day jobs and small children at home and I have no idea how they do it.

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 “Breeder” excerpt

If not for the sneeze, Dak would have exited the musty, dank corridor. But the muffled sound caught his attention. When he squinted into the darkened cell, he spotted a female crouched on a straw mat in the corner. He hadn’t noticed her on his way into the Breeder Containment Facility; the habitation unit had appeared empty.

Dak turned to the BCF director and sighed. “What about her?”

The beta’s already crooked mouth drooped farther in distaste. “My apologies, Commander. You don’t want that one.”

Sival’s disparagement piqued Dak’s interest. The director’s opinion had proven worthless; none of the breeders he’d preselected for inspection had rated close to satisfactory.

“I would like to see her,” Dak insisted.

“Very well, Commander.” Sival saluted and opened the habitation cell with a master entry card. Dak stepped into the small enclosure. The director followed, and the metal gate clanked shut.

The naked female drew into a tighter ball and tucked her face deeper into the crook of her arm. Other breeders had preened as soon as they’d noticed him and his chest-insignia identification. He wasn’t just an alpha. He was the Alpha.

This breeder’s lack of respect and failure to adhere to Protocol by acknowledging his presence struck him as odd. Dak frowned. “Is she mentally deficient?”

Sival tightened his lips. “No, stubborn, ill behaved. She would not befit an Alpha Commander.” He nudged the female’s hip with the toe of his boot. “Rise to your feet.” She did not respond, and he moved to prod her again. Dak forestalled him with a wave and grasped the female’s arm.

“You will stand.” He hauled her upright. She averted her face, so he grabbed her chin and forced her to look at him. Tangled hair the color of black heating stones fell back from an oval face to reveal eyes like the Parseon moon. The glimmer of intelligence that sparked within the violet depths aroused his interest more than anything else he’d seen so far.

Nature had bestowed the Parseon people with an exceptionally strong immune system so that they rarely required medical intervention, but breeders by nature were weak, and so many of the ones he’d seen had seemed dull or ill or both. This one’s skin, when unsmudged by grime and dirt, probably glowed like the pale sands of the Ospian Sea. He supposed, as breeders went, she wasn’t unattractive, although the stench emanating from her was. His beta would throw a fit if he dragged such a creature into their domicile.

“Why is she so filthy?” he asked.

“She refuses to bathe.”

As Dak scrutinized her facial features for shape and symmetry, he noted little imperfection or dysgenics other than her lack of hygiene and her gender. When cleaned up, she would please the eye, but to bear his sons, it mattered more that she be healthy and strong.

He released her face, stepped back, and assessed her from head to toe. He exceeded the height of most males, alphas included, while she stood smaller than the average female.

The top of her head failed to even meet his shoulder. She was thinner than other breeders too, although her chest bore an abundance of fatty breast tissue. In the chill of the cell, her nipples had puckered to hard points. Despite the coolness, he was experiencing a rise in temperature. A dormant lust chose that moment to kindle, causing heat to coil in his abdomen and groin. He could not remember the last time he’d experienced such a spontaneous reaction—if he ever had. With the pads of his fingers, he probed the sides of her neck for swollen areas. The way she trembled under his touch aroused a sliver of sympathy. Breeders lacked courage, and uncertainty frightened them. Not all alphas and their betas treated breeders well. If he chose her, she would be adequately fed and housed. His command consumed his time and energy, which left his beta alone for long stretches. A breeder would relieve Corren of household chores and provide him with a physical outlet as well.

“What is she called?” Dak asked.

“Her sire named her Omra.”

Peace, it meant.

He parted Omra’s lips with his fingers and slipped a digit into her mouth, running it along her upper gum line to check the solidness of her teeth. At a flash in her eyes, he jerked his hand away a centisecond before she snapped her jaws together, so that her incisor only grazed the tip of his finger.

Sival’s face reddened. “Commander, I apologize. I will have her flogged.”

“Unnecessary. I will take care of it.” He unclipped the sudon from his belt.